Showing posts with label Translation. Show all posts
Showing posts with label Translation. Show all posts

Tuesday, May 19, 2020

Translating Prof. K V Tirumalesh's Kannada poems into English...Hyderabad based poems...1 Prathime - Image


Hi all … two years ago I started translating Hyderabad-based poems of eminent Kannada poet Prof. K. V. Tirumalesh, taken from his early collections, Mukhamukhi (1978) and Avadha (1986). Prof. Tirumalesh came to Hyderabad in the 1970s and stayed put; I came to Hyderabad in 1992 and stayed put. Though the Hyderabad poems are not entirely descriptive of places or people, one can get a feel of the place, and a little bit of the atmosphere and space of Hyderabad of these poems still remained in the early 1990s. Though I had read these poems in those nineties, they started resonating in a different way now; call it nostalgia. I found around 30 or so Hyderabad-based poems from Mukhamukhi and Avadha and have translated 28 so far. Some of these translated poems are due to appear in the online journal on culture studies and translation, Caesurae. Till then, I thought I’d post some of the other poems here … and get some reactions, responses, feedback, brickbats, anything …


Today’s poem is named Prathime taken from Avadha … the English translation is named Image...

Image

He came to the spot where
four roads met
and wept – and
kept on weeping.
Cars, buses,
heavy tarpaulin-covered trucks,
drove on nonstop.
The slow bullock carts too
kept on moving.

The sleeping city would wake up and
again go back to sleep in its
unperturbed lethargy,
amidst large garbage bins,
pigs in heat, and
trains that arrive from somewhere and depart.

Those sitting in the toddy shop,
women who had come to buy vegetables,
labourers waiting for work,
– none of them noticed.

Till mushrooms sprouted all around,
Till lilies grew;
The rain that came in unnoticed,
The breeze that sailed in over someone’s sigh,
The cold winter nights
– none of these touched him.

Nobody noticed when
he stood up all of a sudden;
he gathered himself,
he looked around,
started to say something,
stopped, as if wondering why should he,
and a smile that broke out hesitantly
like the secret sin in each one of us.

§

The Kannada original ...



Sunday, May 5, 2013

My translations in "Steel Nibs are Sprouting: New Dalit Writing from South India – Dossier II Kannada and Telugu"




Wanted to share my happiness with all of you on the release of the book ‘Steel Nibs are Sprouting: New Dalit Writing from South India – Dossier II Kannada and Telugu.’  The book came into the market a few days back. 

Okay...I have translated 6 texts from Kannada to English for this volume and this translation task was a great morale booster for me...coming 6 months after the release of my translation of Chandramukhiya Ghatavu...

Sometime in mid 2011, I received a mail that surprised me...it was from Susie Tharu and she was asking me if I could translate a couple of texts for this volume...I was stunned and happily said ‘yes’ without even knowing what texts these would be...Susie Tharu taught me at CIEFL and I had wanted to work with her as a research student, but somehow things didn’t fall into place then...so, I felt this was an opportunity given to me to work with Susie...and it took some time for my work to take off... I began translating the first two texts, Channanna Walikar’s autobiographical texts - solaadaru sari geluvaadaru sari tanna astitvakkagi devara jotegoo spardege nillabeku and Karulina Teppada Mele ...  I knew that translating these texts was not going to be easy, but I did not realise that it would be so difficult... I kept on regardless and it took me almost a month to get a decent first draft... I felt happy that I was able to do some justice to the texts (from my own point of view, of course)...and sent them off to Susie...that was it I thought... I was going to be part of a prestigious anthology... I was pleased...

A couple of weeks later, I got another mail from Susie asking me if I could translate another two essays...and added that translating these essays required some research... I wondered what these essays were...when I found out that these essays were on Male Madeshwara and Manteswamy culture/traditions (written by Mahadeva Shankanapura), I began to have second thoughts...though, I had heard about them, I had no idea about these traditions...I had to read about them and then attempt translation...it was going to be arduous and challenging... It would have been the easiest to back off...but I wanted to try...I read the original essays in Kannada and felt that I could jump into the work of translating right way and do the research simultaneously...there were some descriptive passages that did not require research as such...and slowly, but surely, I inched forward... half a page a day in the beginning...then one page...I gained some confidence after 3-4 pages and began to get a feel of the essay...but the translation process slowed down whenever I had to get some clarity on some idea or topic...and I had to consult some books or browse the web...now I feel it was a fascinating experience... I did not know anything about Male Madeshwara and Manteswamy traditions when I began translating and by the time I finished, I was richer...

The most difficult task, I feel, came after I completed these two essays...Susie asked me to translate a poem written by Shankanapura... I could handle prose, but verse..?  and the poem was not easy...only if you knew the allusions could you even understand it, but translating it was another thing altogether...what to do?  I bravely started...but hit roadblocks so often that I had to ask Susie to help me...we sat together to sort out the problems and managed to clear some...but still a couple of clarifications were required...Susie asked me to speak with Shankanapura himself...some of the incidents and images went back to the time of Basaveshwara and travelled to the time of Male Madeshwara...and Shankanapura made these ancient images resonate to the modern Dalit question...Shankanapura was good enough and patient enough to answer all my questions and volunteered so much information that I was able to approach the poem from a position of clarity...but of course, the original has its own resonance, because of its rootedness...in the end, I managed a fair translation, with Susie’s and Shankanapura’s inputs, I can say with some satisfaction...I then realised that I had done five translations!!  Wow...and these were difficult texts for me...all five of them...

There is a final thing coming...one more poem to be translated, Susie said...I said ‘yes’... and it was Indudhara Honnapura’s poem...nanna kavana...which I was able to translate with some degree of comfort...and that was it...but I was hungry for more...ha ha ha...

All right...here are the six texts I translated that appear in this volume...

1. WHETHER ONE LOSES OR WINS, ONE SHOULD STAND UP AND FIGHT EVEN AGAINST GOD (Solaadaru sari geluvaadaru sari tanna astitvakkagi devara jotegoo spardege nillabeku by Channanna Walikar) (p. 77)
2 ON A RAFT MADE OF ENTRAILS (Karulina Teppada Mele by Channanna Walikar) (p. 83)
3 MY POEM [poem] (Nanna Kavana by Indudhara Honnapura) (p. 125)
4 MALEMADESHWARA TRADITION – A COUNTER-CULTURE (Malemadeshwara Parampare: Ondu Pratisamskriti by Mahadeva Shankanapura) (p. 258)
5 MANTESWAMI TRADITION AND THE CHIKKALURU JATRE (Manteswami Parampare mattu Chikkaluru Jatre by Mahadeva Shankanapura) (p. 262)
6 ON THE TRAIL OF THE FLAMING FEET [poem] (Urichammavuge Jaada Hididu by Mahadeva Shankanapura) (p. 256)

Please do read and tell me how you liked them...

Wednesday, January 2, 2013

My book launched...English translation of Chandramukhiya Ghatavu..




28 December 2012 will remain a memorable day for me ... my first book, the English translation of an early Kannada novel, Chandramukhiya Ghatavu, was released on that day in Shimoga...in many ways a dream- come-true occasion for me ... the book is published by Abhiruchi Prakashana, Shimoga and my teacher Prof C S Nanjundaiah (formerly Principal, DVS College of Arts and Science, Shimoga) facilitated the publication ... the book was released by Prof T P Ashoka (L B College, Sagar), one of the pre-eminent literary critics writing in Kannada today ... Prof Ashoka was someone we idolised in our college days in Shimoga and it was indeed an honour for me that he agreed to release my first book ... Prof M S Nagaraja Rao, my teacher, and who now calls me his friend, introduced me to the small audience in his own inimitable style ... and the function was held in Kuvempu Sabhangana in Kamala Nehru College ... as students I had attended many literary functions in this hall and I had never dreamt that one day my book would be released in the same hall ... and everything fell into place and the book was released in the presence of my parents, Shruti, Sudhriti, my sister-in-law Shuba, nephew Tejaswi, some of my earliest Shimogan friends and classmates, my teachers, fellow academics, and family friends...

Prof Ashoka spoke with erudition about the contexts and contents of the book and its current avatar in English ... I will now direct you to a report of the book release which appeared in the Mangalore edition of The Hindu the next day, and this report gives a nice summary of Prof Ashoka's talk...(but funnily, I am snipped out of the photograph, though my name appears in the photo caption ...)

http://www.thehindu.com/todays-paper/tp-national/tp-karnataka/tp-ashok-releases-the-fall-of-chandramukhi/article4251698.ece

and here are some photographs of the function...




Prof C S Nanjundaiah welcoming guests and audience

Prof M S Nagaraja Rao introducing me to the audience

Prof T P Ashoka releasing the book

All on stage with the released book

Another view of the previous


Prof Ashoka speaks


A lighter moment on the dais


That's me speaking...


Prof U H Ganesh, who presided over the function, speaks...


The small gathering...


Prof Nanjundaiah giving me a memento...


Prof Manjunath proposing the vote of thanks ...

Monday, March 19, 2012

A book of my own

This would have sounded unbelievable to me some months back…but a book of my own is going to be published soon…

In a couple of posts written long back I talked about a modest translation project that I had taken up on my own…I started to translate an early Kannada novel (written in 1900), Chandramukhiya Ghatavu, into English…I selected this novel mainly because, one, it was a small novel, and I selected this small novel because this was the first time I was translating and did not want to take up something big that would overwhelm me with its size…this translation of a small novel was going to be a test case for me…a trial run kind of…and the other compelling reason was, though small, this novel's narrative structure was remarkably different and experimental from the early social novels that were being published around that time...

It took me around six months to complete translating this small novel of only 28 pages!!! Satisfactorily, I mean…that is, a sensible draft which I was satisfied with… I also discovered that I enjoyed this process of translation…that was a big positive for me…

Now that I was satisfied, I decided to show the English version to a couple of friends and some like-minded scholars who are working with Kannada literature and translation studies. A few changes were suggested by some, but generally they said the translation was good and that I should try and get it published. My friend Dunkin Jalki even cited a small excerpt from the translated Kannada ‘preface’ in his Ph.D. thesis, citing the source as ‘unpublished translation!!’ This pepped me up a bit…

Anyway, the translation was completed sometime during the middle of 2009 and it lay with me and I kept looking at it to see if I could do anything more…I also enquired with a couple of publishers (big ones) and described my book and they told me that the novel was too slim and that it wouldn’t be a viable proposition (read ‘financially unviable’)!!

Then, last year I visited my hometown Shimoga during summer and whenever I visit Shimoga, I visit the homes of my English teachers who taught me when I was doing my BA there. This time when I met Prof Nanjundaiah, I told him about my translated novel and told him that its size was getting in the way of its publication… I was stunned when he told, ‘I will publish it…’ I asked him how he was going to make it viable…he tossed around a few ideas and then he wondered if it was possible to publish a bilingual edition…the original Kannada and the English translation side by side…that was a very good idea, I said, but then getting permissions and the logistics worried me…he assured me that he knew the editor of the Kannada edition (who discovered the Kannada original in 1994 in British Museum, London), and that he’d speak with him and get his permission…

This was some months back and then one day he called me up and told me that he has got the permission and that he is proceeding with the page setting and other pre-printing essentials…and then in the last month he sent me the proofs online for proof-reading and editing…I could now see the book in its pre-print avatar and I was thrilled…Sir had even managed to get a kind of introductory note from the editor of the Kannada edition…

I proof-read and made some small changes in the proofs and sent it back and am waiting with bated breath for the book to come out…a book of my own…

Tuesday, July 7, 2009

Google to the rescue...

The author of the Kannada novel (Chandramukhiya Ghatavu) that I had translated, Rodda Vyasarao Venkatarao, from what I could make out from his novel, appears to be a well-read person, interested in Sanskrit classics and also English literature...he has used verses from Sanskrit plays almost at will, whenever he wanted to illustrate a point or where the words of a higher authority would settle the issue...

But he never ever says from where he has taken these verses from...I am not sure how his readers reacted to this use of verses from Sanskrit plays...who did he have in mind as his readers? Once I started translating, I realised I hit a wall when I came across the first Sanskrit verse in the second page itself...and it was in devanagari script...I tried to guess the meaning from the context... and I could make out two words...'hans' for 'swan' and 'kshira' for 'milk'...and I put two and two together and surmised that this verse could refer to that well-known concept of 'hamsa kshira nyaya'... which refers to a celestial bird (swan) which had the power to drink only the milk and leave the water mixed with it behind...and this is given as an example for somebody who has the ability to sort the 'grain from the chaff' so to say... the positive power of discernment or judgment... it is also given as an example for a job or assignment that needs judiciousness or refinement for it to be completed successfully...Many people in India are aware of this concept...

That done...but from where is this blessed verse taken? which book or who should I consult? How should I go about consulting a book? Did I know any Sanskrit scholar? all questions the result of incomplete formal Indian education!! But now I was stuck...

Somehow, as a last independent resort, before consulting people and books, I thought of an old trick, a trick by which I would detect plagiarism during my 'editor' days...I decided to transcribe the Sanskrit verse into English and give it the 'google' treatment...and you know what...it worked and worked beautifully... I now know that this 'swan' and 'milk' verse is taken from Kalidasa's Abhijnana Shakuntalam... some kindhearted souls had put up something related to the play and I also located an English translation of the play...and things started to fall into place... and I gave the same treatment to all the Sanskrit verses that are in the novel...and I discovered that the author had taken verses and phrases from Kalidasa's Abhijnana Shakuntalam and Meghadutam, Bhavabhuti's Uttara Rama Charita, the Hitopadesha, and (now I feel) not surprisingly, a quote from Herbert Spencer too...and I found out from where all these verses, phrases, and quotation were taken with the help of Google...after locating the origins, I had to refine the references...and make them consistent...that is another story...for another post...

Thank you Google for helping me in my search...and all those who had written, hosted, or contributed to various websites on Sanskrit literature...

(the usual disclaimer...I am a happy Google user...in no way connected with Google)

Monday, July 6, 2009

A paper published and some publicity...(!!!)

Last week some good news came in the mail…I received the recent issue of Journal of Karnataka Studies…this journal is published by Kannada University, Hampi, Karnataka… the good news is that my paper is published in this issue…in fact, 2009 has been good in this sense so far…this is the third paper to see the light of the day this year, though I had submitted them some time back…so suddenly, my list of publications has increased…feels good…

This paper is about one of the prolific translators of novels during the early days of the novel in Kannada…Venkatesha Tirako Kulakarni ‘Galaganatha,’ popularly known as only ‘Galaganatha,’ translated 16 novels from Marathi into Kannada…and all of them were historical novels and most of them were written by Hari Narayan Apte originally…

The paper is titled “The Novel and the Nation: Galaganatha’s Rewriting of Historical Novels in Kannada”… and a part of this is taken from my earlier research for my PhD…and of course, the editors wanted me to make substantial changes in the draft I had submitted…which made me read some more and which was really good because I was able to see the whole issue from a slightly different perspective…I had written about the how the ‘novel’ as a genre is analogous to the idea of the ‘nation’ and how the ‘novel’ could be used to ‘plot’ the idea of the nation…especially historical novels…and since this is a family blog I don’t want to get into graphic details which could result in extreme self-torture…!!!

I must thank my friend Tharakeshwar, who was earlier teaching in the Translation Studies Dept at Kananda University, and who encouraged me to send this article for publication…now he has come to Hyderabad and is a reader at EFL University…

Among the many issues that I worked on, I enjoyed working on this aspect of the novel the most…the idea of the ‘nation’ and the novel…

Thursday, June 11, 2009

Translating an early Kannada novel...first draft completed

I am returning to blogging after a long long time...not that I didn't want to or didn't have anything to write about...maybe it was the scorching summer that sapped my interest...or maybe I was just lazy...(see, I have written three lines without saying anything...!!)...If my I put my mind to it, I can write... and this is what I thought I should do and went ahead and translated an early Kannada novel into English...it is an extremely short novel called 'Chandramukhiya Ghaatavu' (The Murder of Chandramukhi) written in 1890...I have researched and written about the translation scene during the early days of the novel in Kannada...and I had always wanted to translate a novel from Kannada to English and felt that this short novel would be an ideal beginning...I thought it would be easy translating a 26-page novel into English...a-page-a-day kind of schedule will take me a month to complete it...only when I started to translate that I saw and felt the real challenges...I found it really tough to locate synonyms for certain words and phrases and idioms and proverbs of the Kannada being spoken and written more than 100 years ago...sometimes the parallels for proverbs and idioms were easy to find in English...like the Kannada idiom 'go-mukha vyaaghra' (a tiger with a cow's face) was easily rendered into the familiar English idiom 'wolf in a sheep's clothing'... and many examples of people and events quoted in the novel were from Ramayana and Mahabharata...mythological figures entered and exited at will...verses from Kalidasa and Bhavabhuti appear at crucial moments...but the story is essentially about 'reforming' the 'Indian' society, a topic that was popular with the early novel writers in almost all languages in India...here, it is about the nefarious activities and final repentance of a fake swamiji...but this novel fascinated me for its narrative style which was unique for an early novel...It finally took me 3 months to complete the translation...I am now doing the proof reading and corrections...this is again taking its own time...there is so much to do after that...and since I studied novel as part of my doctoral research, I want the English translation to be slightly academically inclined with an introduction, preface, notes, glossary, etc. I want this translation to be published...lets see how soon I can release the draft from my hands... for a larger release...

Sunday, September 14, 2008

My article published...

I returned to blog yesterday after a break…the break just happened, though I had a lot of things to write about…maybe the 50 blogs really overwhelmed me…though I was not blogging, I was thinking about my ‘not blogging’…my lack of enthusiasm and also wondered whether I should stop at 50…but in the end I think wiser counsel prevailed…I don’t know about all of you out there, but I have come back…I felt really sad when I read the news of Vidwan Kunnakudi Vaidyanathan’s demise and remembered the episode which I recounted in my previous post...

The week that ended brought in a couple of happy surprises…one was tinged with embarrassment and was tricky…let me tell you the‘full’ happy surprise…

I had mentioned in one of my previous posts that one of my research papers had been accepted for publication by the journal Translation Today…on Friday I received a mail from one of the editors (Prof. Giridhar) saying that the issue in which my article is published is now online and that I could see it…this journal has both online and print versions and the online version comes out first…and I personally feel that this is one of the important and intellectually stimulating journals on translation related subjects in India today (I am saying this not because they published my paper)…and since this journal is online (www.anukriti.net) and free, interested readers can see this for themselves…

My article is on the novels translated into Kannada by B. Venkatacharya…and it is called “B. Venkatacharya’s Novels in the Kannada Literary Polysystem and the Founding of the Novel in Kannada” and it can be seen and read at http://www.anukriti.net/tt6/article1/page1.asp ... I request readers of my blogsite to please visit this page and I would be happy to receive your comments, criticisms, suggestions, praise…

Jayasrinivasa Rao